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Cultivating Cosmopolitan Virtues through Literature

In an ever more intolerant world, explore how literature shapes empathy, openness, and critical thinking to cultivate inclusivity.

Cultivating Cosmopolitan Virtues through Critical, Aesthetic and Ethical Engagements with Literature

How Can Engagements with Literature Facilitate the Cultivation of Cosmopolitan Virtues

Engagements with Literature can help students cultivate cosmopolitan virtues as it:

  • supports the application of dispositional routines that work to cultivate long-term dispositions of empathy, openness and capacity to examine issues from multiple perspectives;
  • equips students to critically analyze the author’s craft, to question assumptions and bias in a text and to perceive issues from different points of view;
  • facilitates the cultivation of students to becoming independent, discerning and critical thinkers.

Why is Cultivating Cosmopolitan Virtues through Literature Important?

Virtues are long-term dispositions and education plays a key role in enabling students to acquire and practise virtues. In this research study, the focus was on cosmopolitan (citizen of the world) virtues. Given the rise of xenophobia, extremism and all kinds of intolerance the world over, students must develop empathy not just for their communities but for others in the world.

This research study was driven in part by the need to explore how Literature develops empathetic and global thinkers, which is one key outcome in the revised 2019 Literature in English syllabus. The widespread exchange of information in this globally interconnected age also means that students need literary and literacy skills to discern nuances in texts they read, to navigate (mis)information online, to analyze the ways communities are represented. With the imperative to create an inclusive and hospitable future in today’s volatile, uncertain, complex and ambiguous (VUCA) world, Literature equips students with the flexibility, critical thinking skills and empathy to make sense of the socio-political world, live ethically and hospitably with diverse and multiple others in a globally interconnected age as global citizens.

This project seeks to understand how teachers connect Literature to cosmopolitan dispositions and values. In phase 3 of the project, we examine the role of Literature in cultivating empathetic and global thinkers.

Empathy, openness and persuasion were key values emphasized by teachers. In the classrooms, teachers applied pedagogies that allowed students to examine issues from a variety of identity perspectives such as through reading poetry from diverse minority groups as well as by bringing contemporary issues such as race and class for discussion in the classroom.

 


How Was the Research Carried Out?

 

The research adopted a mixed-methods approach with 3 phases: survey, case study and intervention. Concepts grounded in Poststructuralist and Ethical Criticism and multiple data collection methods such as survey, lesson observations, teacher interviews and student focus group discussions were used in the study over 3 years from 2018 to 2020. Phase 3 of the project involved the co-development and implementation of 3 intervention units in Literature secondary school classrooms with the teachers from the 21CC Literature Research Interest Group aimed at understanding Literature’s role in cultivating empathetic and global thinkers for the 21st century.

Learn more about the research: 21CC Literature

 


Evidence of Literature Engagements in the Project

 

  1. Opportunities to integrate aesthetic questions with critical and ethical questions occurred when units were designed around ethical issues.
  2. Ensemble Drama provided greater opportunities to tap on aesthetic and reader-response questions though less emphasis on ethical questions was observed.
  3. Explicit discussions of race and identity raised greater awareness of discrimination but may not necessarily lead to prosocial behaviour of all students and teachers’ facilitation of empathy is crucial.
  4. Teachers’ unfamiliarity with texts and pedagogies dealing with race and identity were mitigated by the authentic stance adopted as well as interschool collaborations.

 

Despite the broader range of texts and pedagogies they had enacted, teachers remained concerned about the teaching of critical appreciation exam-centric skills which remained a priority.

 


How Did Students Respond?

 

Here are some excerpts of students developing greater empathy, shifting towards greater perspective thinking, discernment and critical thinking skills.

 

Student A: Reflecting on “What’s it like being Malay?”

“It just made me empathize … I have close friends. I, myself, have experienced it being the one person to represent a whole race. I do know how it feels.”

 

Student B: Reflecting on “F.A.Q.”

“It does expose a side of society that we’ve never seen before.”

“Many of [us] used to think that casual racism was fine, even me personally. I used to think that when people make casual racism remarks, I do not really take them very .”

 

Student C: Reflecting on having open discourse on sensitive SG issues in classrooms

“I just wanted to say that we should be more open in discussing these issues like racism in our own classroom … I think that we should be able to establish a safe and comfortable classroom where people can discuss comfortably and share their views on racism”

 

Student D: Reflecting on how local literature can make students feel represented

“The text in the folder for the reading made me feel represented … I haven’t faced discrimination, racial discrimination at least directly, but I have had family that faced it. We just kind of pushed it under the rug because that’s all we can do. If we try to explain to these people, they don’t acknowledge that it’s wrong. So these texts really help me feel a sense of comfort that I’m being heard and also help me hear the ones that I didn’t know existed.”

How Did Teachers Respond?

 

“With “Race & Identity”, students were given a rare chance to negotiate different(ly), and even conflicting, perspectives, about a topic that is so close to heart, yet so often neglected. The unit revealed the complex reality of race in a multi-racial country, and the resulting tensions between race and other aspects of our identity. It was through this unit that students appreciated the role of literature in society, that the subject is in many aspects a reflection of their lived reality.”

Teacher A

 

“The Asian poetry unit changed the way the students saw the world, not just Asia. It changed the way they approached poetry and Literature as a subject discipline. The poems allowed them to cross many borders: political, cultural, language, stereotypes, self. It was no different for me. The collaboration with NIE and other schools made concrete the hazy, nagging feeling that we could do better to represent the Literature of Asia, and it was the sharing of knowledge and resources and pedagogy that made it possible. It was a most invigorating and expansive exercise indeed!”

– Teacher B

 

“The inter-school collaboration was an extremely generative experience—both for the students and teachers alike.  For the students, the process of crafting a dialogic poem with counterparts from another school was unfamiliar territory.  Most of them are not writers by nature, and to engage in this creative endeavour with people they have not met prior to this project, made the honest expressions of their views all the more vulnerable.  This discomfort was a key source of learning as they were forced to negotiate uncertainties in the subject matter and learning process.  For the teachers, working collaboratively to plan the entire lesson package allowed us to learn from each other.  This is especially true when we each used the same materials differently in our own classrooms, showing the expansive possibilities in the discipline of Literature.”

– Teacher C

 


How Can Teachers Get Started?

 

General advice and guidelines

  • Design units not around literary texts but around ethical issues especially contemporary issues of the day.
    • This allows students to see how literature can provide a launchpad to exploring such issues from multiple perspectives.
  • Discussions should be guided by exploratory questions to unpack key issues alongside close analysis of the writer’s craft.
    • Where possible, show how aesthetics of the text connect with the ethical issues explored in the text.
  • Allow students to go beyond giving politically correct answers.
  • Encourage a safe space for students to raise questions and share their responses.
  • Encourage students to justify, reflect on their own responses, and be willing to have those responses challenged in the class.
  • Provide time for inquiry-based learning aside from whole-class analysis.
  • Go beyond preparing students for GCE ‘O’ level type questions by giving them the opportunity to conduct further research into the historical background of the issues concerned, the authors, and allow them to compare and contrast other texts related to the issues from various cultures in the world.

 

Development of Intervention Units

In Phase 3 of the project, the research team worked with teachers to co-develop unit packages that would help students connect texts to society and issues in the world. Lesson packages on three units were subsequently developed in this phase:

 

Unit on exploring race and identity through Singapore Literature

Detailed descriptions of each unit can be found here: https://nie.edu.sg/21ccliterature

 

Implications for Schools Implementing a Cosmopolitan Literature Curriculum

 

  • Explore ways of discussing sensitive issues e.g. race (in line with CCE) beyond explorations of stereotypes.
  • There is a need for more examples of how aesthetic and ethical questions can be integrated into pedagogy and assessment e.g. aesthetic representation of ethical concerns.
  • Development of resources on Asia including translated poems and short stories from the region.
  • Build research interest groups where teachers and researchers can collaborate on designing more units around local and global issues e.g. poetry about climate change, stories about the pandemic.
    • Explore platforms including digital ones where these units can be shared and cross-school and cross-cultural collaborations can occur.
    • Teachers need to be equipped with pedagogies to cultivate deeper engagement with issues and questions of identity in Singapore and the region.

 


Question-Icon Related Links

Question-Icon Further Readings

 

For educators interested in the research methodology behind Cultivating Cosmopolitan Virtues through Literature, you may refer to:


Question-Icon Research Projects

 

The following projects are associated with this project:

 


Question-Icon Research Team

 

To learn more about this research, please contact Associate Professor Suzanne Choo at suzanne.choo@nie.edu.sg.

Principal Investigator

  • A/P Suzanne CHOO, Office of Teacher Education (OTE), English Language & Literature (ELL), NIE

Co-Principal Investigators

Collaborator

  • Ms Meenakshi PALANIAPPAN (Assistant Director, ELL (Sec), CPDD MOE)

Research Assistants

  • Ms Ismath BEEVI, OER, NIE
  • Mr Dominic NAH, ELL, NIE


Acknowledgments

 

Cultivating Cosmopolitan Virtues through critical, aesthetic and ethical engagements with Literature was funded by the Singapore Ministry of Education (MOE) under the Education Research Funding Programme, National Institute of Education, Nanyang Technological University, Singapore (project no. OER 22/17 CSL). Any opinions, findings, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Singapore MOE and NIE.

This knowledge resource was written by A/P Suzanne Choo, Dr Lynn Chiam and Ms Monica Lim as of 15 June 2021; updated by Ms Monica Lim on 4 January 2022.

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